Muppet Style Yeti Puppet

Whilst having a clear out of some of my materials I realised I had enough left over from a previous project to fabricate another puppet. Like many people I grew up watching and loving the characters from The Muppet Show. I've always wanted to have a go at creating my own version and seeing as I have an abundance of fake fur thought I'd create my very own Muppet style yeti. The process was incredibly fun and i'm pretty chuffed how it's turned out. If you are interested in how to make your own I've documented the process and turned it into a handy how to guide.

Yeti Puppet (Making of).

I've posted a few photographs of how I put the puppet together and some of the techniques in case any one else wanted to have a go at making it.

Here's a list of tools and materials used in the project. There are probably a few more you might need but as a starting point here are the essentials.

Step 1.
First of, choose the size you want to make your puppet. Starting with the head is the best way to do this making sure the puppet will fit around your hand. I've used the template of a large cap as a starting point. Cut a template out of board, I do this so it is easy to draw around when marking out the foam for cutting, ensuring each piece is the same size, You will also have a template for future projects. Once you have five equal sized foam pieces, glue them together using a hot glue gun. This can be a bit tricky because the foam will want to absorb the glue, so take care not to burn your fingers when holding the pieces together. Pegs can be a handy tool to keep them together to avoid this.

Step 2.
Draw around the circumference of the base of the head shape and halve it to get the template for the mouth. Cut this out in foam board. Keep a spare copy for reference as you will need this to make the inside of the mouth later. Attach a piece of material or sponge at two ends, to the top of the mouth shape leaving space for your hand to pass under. Make sure to also leave a gap around the edge so you can attach the board to the head made in the previous step.

Step 3.
Attach the board to the base of the sponge. Repeat the process above to make the bottom half of the mouth, I've made the bottom piece larger slightly larger as I'm making a creature and adding an over bite. Tape both bits together securely making sure it can flap and close freely.

Step 4.
Cut two segments of foam that will follow the edge of the mouth shape. Attach using the curved edge to temper the foam in.

Step 5.

Measure the circumference of the inside of the head shape. I do this using a piece of string, laying it around the inside and then measuring it's length. Cut a piece of fleece that is roughly the measurement you have just taken by length of your forearm. Essentially what you are doing is making a tube that will attach to the base of the head, which your hand and arm will go through. Sew it together along the long edges leaving the short edges open. Turn it inside out when finished to hide the seem.

Step 6.
Use the mouth templates kept earlier to create the inside of the mouth, Draw around them on to felt,(I've chosen black but red also works depending on your colour scheme) and cut out a single piece, as shown above. Make a tongue using pink felt and add detailing using a felt tip.

Step 7.
Now it's time to start attaching the elements together. Glue the felt tube edges securely to the inside of the head and stick the mouth disk inside the mouth by folding it in half. This is also the point at which to skin the head, using fabric glue and the same felt used for the tube. As I'm covering the puppet in faux fur I've only covered the areas I know will be visible in fur. If your design is different however you are probably going to want to cover the whole head. You can stop at this point if you want to create a ghost puppet! Whilst waiting for it to dry, cut a piece of foam, again around the length of your forearm and around double the width of the head, This will be the body for your puppet. Temper and glue the top edge into a lip so there is a nice smooth edge around the top of the foam. Roll the foam and glue together to form the tube. When dry also cover this in felt.

Step 8.
If creating a monster puppet, attach the fake fur using fabric glue. This can be one of the most challenging bits of the build as cutting the material to the right shape and getting it to lay flush is difficult to get right. I find laying the material across the puppet and using pins to keep the material in place is the easiest way to figure out the best position before cutting. It will most probably take a few attempts but better than cutting the material and it being wrong. I've also added a lip, made again by creating a simple tube from felt material and stuffing. Now you can attach the head to the body by glueing the head felt tube to the inside of the foam body. Make sure to leave a couple of inches of material to form a neck between the head and body so the head can still move around.

Step 9.
Now create a template for the arms, the length of the arms should vary, depending on the size of the puppet. Mine ended up being around 50cm as I wanted the puppet to be very animated. Cut around the template creating two sets of material which correspond with each other to create one arm and repeat the process. (EXTRA) If you want your puppet to be able to hold things in different positions, you're going to have to build a simple armature. This isn't as daunting as it sounds, an armature is just a fancy way of saying an adjustable supporting frame work. If you want to keep it nice and simple and don't think you need one skip ahead to the next step. Use the arm template as reference and cut a small pad of foam board out as a palm. Punch some holes to mark where the fingers match up. To make the fingers, feed in a piece of wire at two ends into a drill and tighten up the head. Hold onto end and slowly run the drill it should twist the wire evenly, reinforcing  the wire and making it less prone to snapping. Repeat this until you have 6 longer pieces for the fingers and two shorter for the thumbs. glue them to the pad where you marked previously. Now feed some tubes of sponge over the wire. Using nail scissors is the best tool to trim any excess sponge, Take note if making an armature leave a gap (marked out in orange) when sewing the arms together, so you will be able to fit the armature in. When in place sew up using a ladder stitch to hide the seam as much as possible.

Step 10.
Sew together the material to make the arms and turn it inside out to hide the seem. Fill it with stuffing and sew up the ends. Paint the rods black and glue a piece of felt around the top leaving a seam to attach to the base of the hand. Lastly it's time to give your puppet some character and add the facial features. Iv'e decided to add some teeth using felt and sponge.

Step 11. 
Normally the nose is in a contrasting colour to the felt used for the body, but as I've used white I wanted something that would really stand out opting for a rich orange. Create two tear drop shapes and sew together leaving a space at the top to put in the stuffing, For the eyes take two ping pong balls and slice a section (around a quarter) off the back with a sharp knife, taking care when cutting. Create an eye lid by cutting a half circle piece of felt and glueing around the ball. I also like to add a small black strip for detailing. Wait until everything is stuck on to the head before adding pupils as the positioning of the pupils might change when on the puppet, waiting until everything is in placed will inform you where best to place it.

 Finished!

Voila, one hairy yeti puppet. I hope this guide is a useful tool for any one else who wants to create something similar. Would love to see other peoples versions if they decide to make something similar.

Rather Rubbish Monsters

Behold the swamp critter! I've created what I hope will be the first in a series of sculpts, based around the theme of 'Rather Rubbish Monsters'. I've always loved the old school puppets created by Ray Harryhausen and decided to create my own with a 1950's B-movie twist. The puppet was created using an articulated wire armature held together with Milliput and balsa for support. Polymorph is used to create tie down recesses in the feet. It was skinned using Newplast Plasticine. 


Circus Grimm

(Just give it a click)



No new post today, I did however want to archive a large body of work from a past project on this new blog and share it with you. Although a few years old, my final university stop-motion project is still something I worked incredibly hard at putting together, and ultimately informed my decision in wanting to follow a career in the world of stop-motion animation. The project focused on the
pre-production side of an animation treatment. If you would like to look at the project in further detail, there is an updated version of the production bible (omitting some of the secondary research for accessibility) available to view. Just click on the poster above to open it up and scroll through.

Here are a few of the Puppets created for the project.







                          


Contrasting Clouds


A couple of hand sewn cloud critters (still no sewing machine).

Ice Cream Munny



Well I thought the end of summer should warrant a custom piece, so I've tried to create my very own melting ice cream Munny. Used a two part epoxy putty to build up the drips and cone, The finish was created using a pressurised paint sprayer and acrylic.

To the Moon!

This mixed media piece is an example page for a children's book. It has been created in plasticine and composed digitally.

Mine Head Munny

 



Customisation of a "Munny" vinyl toy. The basic shape allows for much versatility and can be customised in many creative ways. To create this piece I used air drying clay, wall filler and dowel to build up the basic mine shape. Epoxy was utilised for the finer detailing and painted material for the seaweed.



Audi Stop-motion Commercial


I've been meaning to archive this project for some time. These are stills from an online stop motion advertisement created for the car company Audi, in conjunction with 'Claynation' animator Max Martin. My job was to design and create the sets and fully articulated puppets involved. The time scale for completion was fairly quick meaning there where a lot of evenings spent over mount board, but overall incredibly fun due to the free reign over the art style. Max did a great job animating as you can see in the finished video, available to watch here; https://www.youtube.com/watch?v=7AKOA3NRQ1c

Goat Puppets


Earlier in the year I was tasked by St Mary's theater group to design and make a pair of life size goat puppets, to be used for the lonely goat herd scene in a production of The Sound Of Music (pictured above in rehearsals). The budget was incredibly tight which was a bit of a challenge, so apart from the exterior material everything was created out of re-cycled material. The scene involved a lot of choreography so the rods where attached to the frame rather than limbs so as to be simply operated. The limbs where pleated at the joints to still retain the illusion of movement. 

Scotness Monster

A friend of mine has recently moved to Inverness in the highlands of Scotland, and as a leaving present I've been diligently sewing for what seems to be (quite literally) an age and made her a "Scotness Monster".



Full credit for the template go's to the people at
http://www.welivedhappilyeverafter.com/2013/11/lochnessmonsterstuffedanimal.html
There are many other great ideas on there which I would highly recommend.

The scale is reduced to 50% of the original.

Hopefully it will go down well and for future reference, I shall be promptly investing in a sewing machine!